“The time may come, though it may seem premature to expect it, when a man’s words will be made to write themselves down automatically as fast as they come from his lips… Some who smile at this will live to see the thing done”

–The Eclectic Magazine of Literature and Science, 1870

automatic writing

Doing some research on a tangentially-related topic of physiology and narrative, I came across some Victorian material on “automatic writing,” which was a manifestation of mesmeric or psychic influence by which a person unconsciously produced writing – channelled from another person – without consciousness of the act. But among these results popped up this one very different reference in the January 1870 issue of The Eclectic Magazine of Literature and Science to a machine for automatic writing: a futuristic technology that would have the ability to transfer a person’s spoken words into print. It makes for some fun reading:

Source: The Eclectic Magazine of Foreign Literature and Science 11. January 1830. 123.


mind movies

I had a fascinating conversation with another Preparing Future Faculty fellow in the neuroscience & psychology department last week about the kind of visual processing that happens outside explicit awareness. He was talking about perception studies that are able to use brain activity to predict identification of visual stimuli. A few days later, I came


victorian sounds

I’ve always been fascinated by the Great Exhibition (1851) and Victorian technology, so this amazing recording of Handel’s “Israel in Egypt” performed by 4000 voices in the Crystal Palace in 1888 takes my breath away just a little bit. This is the earliest known recorded music in existence, and although it is very scratchy and


pedestrian agility

A friend posted a link to this fascinating blog about my current home, Durham, NC, which included this post about a late-1950s/early-1960s newspaper article (click on image for larger view): The strange but rather wonderful photo caption is what captured my attention: IT’S A DURHAM CUSTOM – Pedestrian crossing of busy downtown streets without guidance


Visualizing cultural trends… or “culturenomics”?

I’ve spent the morning playing with Google’s Ngram tool, a fascinating (and addictive) way of visualizing cultural trends. It can search through up to 500 years of published material (Google claims to have over 10% of the books ever published) and “count” the use of words. It yields some pretty interesting results (click on the


Michel de Certeau

A  couple of extracts from The Practice of Everyday Life that rethink passive consumption as creative appropriation: On reading: Reading (an image or a text)… seems to constitute the maximal development of the passivity assumed to characterize the consumer, who is conceived as a voyeur… in a ‘show biz society.’ In reality, the activity of


Julia Margaret Cameron

In her 11-year career as a photographer (1864-1875) — she was given a camera as a gift when she was 48 — Julia Margaret Cameron photographed Darwin, Browning, Millais, W.M. Rossetti, Burne-Jones, Ellen Terry, and George Frederic Watts.  I love her photograph of her daughter: Julia Margaret Cameron: “Annie, my first success” (Annie Wilhelmina Philpot),


bodies and writing

Writing is a corporeal activity.  We work ideas through our bodies; we write through our bodies, hoping to get into the bodies of our readers. We study and write about society not as an abstraction but as composed of actual bodies in proximity to other bodies. – Elspeth Probyn – “Writing Shame”


teaching and blogging

The beginning of a new semester, and the beginning of a new project — I’m excited to integrate a blog into my fall English 26 class.  The class is an exploration of the limits of the human — primarily the space occupied by the vampiric, monstrous “other” who is not one of us and yet